Rough Parts features just over a minute of experimental circuit bent noise tomfoolery on black recycled floppy disks. Released in an edition of five hand-numbered copies exclusively on Floppy Kick’s Eco Series!
For further information from the label, please visit (UPDATE: SOLD OUT):
Zebra Mu “Warm Up / Trash” 3″CDr is out now on Quagga Curious Sounds! Comprising of two live semi-improvised recordings captured in February of stripped back experimental noise, sourced primarily from mic’d up broken gramophone records and my voice.
A rubber stamped 3”CDr is packaged in a slim line DVD case. Each copy features cyan and black artwork printed onto peach coloured paper, an additional insert is printed in red onto yellow paper.
Flux Cass Collab’ is a collaboration with Kommissar Hjuler and Mama Baer (Kommissar Hjuler Und Frau) released as a CDr on their label Der Schöne Hjuler-Memorial-Fond.
The husband and wife duo sent me a track; I reworked this live in my studio through a modified/broken cassette player, circuit bent echo pedal and delay pedal. The result is a warbled, spluttering and occasionally noisy composition!
“Over the years some strange things landed on my desk, and I don’t mean books or VHS tapes, but those that were labelled ‘records’. There was a time that ‘anti-records’ was the big thing. For once you didn’t need to do music as long as the record was a record, in some conceptual way. Due Process’ ‘Do Nothing’ was a blank piece of vinyl in tribute to Cage’s ‘4’33’ and ‘Do Damage’ by the same outfit, contained hand-carved grooves; cut with scissors. GX Jupitter-Larsen of The Haters took things a bit further with a LP with sand, which you had to pour over the vinyl (or CD, as it was also available as a CD version). Or a shoebox with paper to be torn up; a piece of cotton in a small box to be squeezed. A piece of plastic over which the listener had to pour water. I worked in a record store back then and surely some Haters fans were very upset by what they clearly saw as fraud. Those were the days and they are not likely to return, one should think, perhaps assuming all has been said in that department…..”
You can read the full review by Frans de Ward at Vital Weekly (number 1111, week 51) here:
Likely to be one of the smallest lathe cut records ever released! GX and I each recorded an exclusive eight second composition for this project. GX contributed a spoken word piece, whilst I contrasted this with an experimental noise/drone work.
Each clear 1” lathe cut is nestled in a clear PVC coin wallet, with fold-out artwork printed in blue ink onto yellow paper. Every copy comes in a 2” x 2.8” grey drawstring velvet bag, complete with a shrunken QCS promo flyer. Edition of 110 hand-numbered copies (the largest ever edition number on Quagga Curious Sounds!).
Depending on where you live, prices are (GBP):
**PLEASE BE AWARE** This is a handmade and extremely experimental lathe cut record, expect it to be monstrously lo-fi and VERY challenging to play…. HAVE FUN!
This has taken over a year of planning but FINALLY I’m now accepting pre-orders for GX Jupitter-Larsen / Zebra Mu Split 1″ lathe cut record on Quagga Curious Sounds!
Pre-orders are now closed.
Estimated time of release upon writing this post is about 6-7 weeks, they will be dispatched to you on the day it is out.
**PLEASE BE AWARE** Expect a handmade and extremely experimental lathe cut record (45 RPM), monstrously lo-fi and stupidly challenging to play…. EXCELLENT!
An exclusive Zebra Mu track is included on Fabrication 3.0, a free to download compilation released on the excellent Attenuation Circuit label: